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SECTION concrete & acousma_ music for ensemble_ radiophony_ collective projects_ Ogg/tape/object _ sampler_
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2023

ΞЯIҜM & VЯЯЯБIΓCH

collective projects • 2023

Titlle > L’horizon des événements
ErikM > electronics device
vrrrbitch > electronics & Trompet
PUNCTUM Session Recorded in december 2021
Recorded & Mastering by Ladislav Železný
Artwork & design ErikM
Final graphic design Marie-Pierre Morin
tour de bras Canada

U
2022

Sun Dog

collective projects • 0 • 2022

ErikM & Isabelle Duthoit
Col des Tempètes
CD edition at Crónica Records Portugal
19 Tracks Recorded at Le M !lieu in January 2022
Isabelle Duthoit - Voice
ErikM - Electronics Device
eRikm tells that duo was initiated when he and Duthoit were climbing « the Kilimanjaro of Provence ». Then, « Beyond the Dome of the Storms, we reach the pass...>

Font de Margot
2019

Albédo

collective projects • 0 • 2019

Erikm & Anthony Pateras
Lp 2 tracks > Orbitale & Nyctalope
Erikm : CD-J & Idiosyncrasy system
Anthony Pateras : Synthesizers & échantillonneurs

Fresh on the CCAM Editions-label is "Albedo", the new collaborative two track album effort created by the artist pairing of Erik M and Anthony Pateras who joined forces on two different occasions in fall of 2017 and early 2018 respectively to record this one. With "Orbitale" the duo starts on a piercing, yet calm sinewave resembling Ambient note, introducing all kinds of modular glitches and disturbances over the course of the compositions approx. 18 minutes runtime, presenting a thrilling take on intense, captivating modular-influenced music going through different compositional phases, even embarking into Noize and total chaos at times before shifting further towards a well retro-futurist scifi approach and way beyond, even touching grounds on highly experimental Techno territories. Furthermore "Nyctalope", the second composition on "Albedo", brings forth a more digital, noisier touch within the duos work, at first relying on droning swells, seemingly field recorded water hitting a coast line, Max/MSP-reminiscent glitches and comforting chord drones alongside and accompanied by brooding, well unsettling frequency shifts and an immanent touch of looming darkness which holds this piece together even after the focus switches towards digital minimalism and chaotic eruptions and makes it stand out as our favorite cut of the two featured on this album.
baze.djunkiii

CCAM EDITIONS
Orbitale / extract
2016

Pavillon du Lac

collective projects • 0 • 2016

Günter Müller iPod, Percussion, Electronics
Norbert Moslang - Cracked Everyday Electronics
Erikm - CD-J & Electronics

Double LP
Performed in a double space.

Final mixing and mastering by Norbert Moeslang
Artistic director : Frédérick Quennoz
Cover art / Daniela Grüninger
Production : Dolmen

Dolmen |Switzerland
side_5
2014

Ecotone

collective projects • 0 • 2014

eRikm & Martin Brandlmayr

eRikm : CD-j & Electronics
Martin Brandlmayr : Drums
6 tracks : CD edition

Opening with an Apocalypse — a dis-covering where everything is assembled anew, where a snare drum gets dismembered. The drums instantly reanimate into a new body without organs, opening a breach, opening a space. The drummer lifts his sticks and hits ; a vertical landscape emerges inbetween, unidentified as it first breaks into the ears, as some atmospheric depression : variations in grain, tracing, electronic mass — disparate energy where some new chemistry arises, all between skin and memory. Each impact, each collapsing, each crumbling of the surface sets anew the fiction of the encounter, of the game ; devoid of catharsis, but definitely vital.

mikroton |Russia
Pneuma
2013

Mal des Ardents / Pantonéon

collective projects • 0 • 2013

Catherine Jauniaux : Voice . bird call . cupule . cazoo ..
eRikm : Turntables + Electronics & live sampling + architect lamp
Double CD’s
Mal des Ardents / Pantonéon

Mal des Ardents - recorded in 2010
Pantonéon - registered Taktlos festival in 2000
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eRikm & Catherine Jauniaux : the turntables of improvisation…
Captured. From the first second of their show the public hangs on the Catherine Jauniaux’s voice , is hypnotised by the extraordinary antics of ErikM at his turntables.
No hold barred , they are in a kind of insatiable creative transe. A pure and very deep-rooted improvisation, a journey into the soul where all states can be experienced.
Catherine Jauniaux journies through her extensive vocal range and wends and weaves all feelings with disconcerting ease, erikM creates a surprise at every turn. Poetic and ardent music, deeply human . The constant pleasure of playing with the musicality of words and the fabulous ressources of the body. Erik follows, surrounds, initiates, anticipates or concludes the vocal propositions with equally inventive virtuosity .Vertiginous !
Anne Montaron

mikroton |Russia
Ne pas / extract
2012

Cartouche

collective projects • 0 • 2012

eRikm : CD-J + electronics & sampling live . Mouth Organ
Natacha Muslera : Voice & Microphones + Objects . Mouth Organ

"Cartouche is a mixed duet featuring eRikm and Natacha Muslera, active since 2010.Fragments that break off of a body, like a shattering windshield.The electronics and the voice trigger eruptive sound phenomena, either rushed or stretched, in which the listener is immersed in a physical experience that is transversal to music itself.Leaving only debris and brilliant ruins. With malice, Cartouche is freed of all semantic background and takes delight in this. An untamed and convulsive distanciation essay, both natural and forceful.

Monotype Records |Poland
Machette / extract
2011

Stodgy

collective projects • 0 • 2011

eRikm & N.Moslang

eRikm first met Norbert Möslang in December 1998 at the festival More Scratch in Nantes when they first played together as part of ad-lib quartet gig which later became known as poire_z, a prominent electroacoustic improvisation quartet which existed until the split of Voice Crack in 2002.
Norbert Möslang has been playing in Voice Crack duo with Andy Guhl since 1972, they’ve been working with “cracked everyday-electronics”, modifying and recontextualising the use of home electronics. After the split he continued working solo and in different musical combinations using “cracked everyday-electronics”, among them a duo with eRikm with whom he played in duo >>>

Mikroton |Russia
extract
SECTION concrete & acousma_ music for ensemble_ radiophony_ collective projects_ Ogg/tape/object _ sampler_
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