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on tour


13.01 solo idiosyncrasy Ektronischen Studio @ Gare du Nord / Basel . Switzerland
Cancel14.01 with Harald Kimmig Stromraum / Stuttgart . Germany
15.01 with Harald Kimmig E-week / Freiburg . Germany
25/27.01 with Isabelle Duthoit :. residency M !lieu / Sault . France
27.01 1 solo M !lieu / Sault . France
29/31.03 with Mosin Khan Kawa & Xavier Charles. residency . Petit Faucheux / Tours . France
31.03 trio with Mosin Khan Kawa & Xavier Charles Petit Faucheux / Tours . France
Cancel 16/30.04 with HANATSUmiroir Echoplasme / Kyoto & Tokyo. Japan
25.05 with Ensemble Dédalus . :Fata Morgana :. Musique action Festival / Vandœuvre . France
26.05 with Jean-Philippe Gross ::Ursatz :: Musique Action festival / Vandœuvre . France
11.06 with Clyde Chabot & Peggy Péneau / Evry . France
Tba 16.06 eRikm 30 years anniversary with guests Les instants Chavirés / Montreuil . France
Tba 17.06 eRikm 30 years anniversary with guests Les instants Chavirés / Montreuil . France
21.06 Solo Idiosyncrasy MAIN OFF Festival / Palermo . Italia
Cancel 1.07 with HANATSUmiroir Echoplasme festival Kuckuck / Bouxwiller . France
11/11 Solo Idiosyncrasy Wim festival / Bern . Switzerland

forthcoming releases


 • 2022

Special edition of a drawing book & cd
Fall 2021
Echoplasme live online

Music Hanatsu Miroir
Ayako Okubo : Double bass flute
Olivier Maurel : Percussion
Erikm : Live electronics, Composition 2019 - not edit

I met HANATSUmiroir during my collaboration with the Percussions de
Strasbourg on Drum‐Machines in 2016. We decided with Ayako Okubo and
Olivier Maurel to explore the peculiar aspect of my work wich consist in
unbuilding and rebuilding the sound priorities of an ensemble.

This project is about amplified contrabass flute, percussions, sound
objects, electromagnetic lutherie, amplified electric streams, all going into my
idiosyncratic device.

We created Echoplasme during a long‐residency period, which allowed
us to apply a dynamic composition process : the instruments have transmitted
a corpus of instrumental and sound materials that I can organize differently in
their tessiture and time. This hybrid composition process looks more like an
on‐stage writing compared to a classical writing process which would be said
‘on the table’ in my case ‘on the mixing device’. I felt it was very pertinent for
me as a composer and a free improviser, to transpose my music in an
instrument‐augmented version. From this working process was born a more
free and complete musical relation between the composer and the interpret,
resonating with our time.


Fata Morgana

 • 2022

ErikM & Ensemble Dedalus

CD edition at Relative Pitch Records
Summer 2022

The project consists in making audible all the spectra of sound, including those outside the field of human auditory perception, and then transposing them into notes in order to produce scores. The musicians will be immersed in the listening experience via headphones, in order to paraphrase (biomimicry) other sounds of cetaceans or bats. The circulation of original sound materials to the instrumental ensemble creates contamination between the performers, producing a « Fata Morgana » metaphorical effect.
LINKs serie 5-6

Erikm : composition & electronics / field recording
Didier Aschour : guitar
Amélie Berson : flute
Thierry Madiot : trombone
Christian Pruvost : trumpet
Silvia Tarozzi : violin
Deborah Walker : cello
Herve Glotin Lsis Umr Cnrs : data
Maxence Mercier : video animation
Stephane Cousot . Virgile Abela . Camille Lesez : RIM developer
Sound All pieces
Video > MuseInsitu Out of residence fab 2021 > 3 pièces

ibride project & news online



Fata Morgana

ErikM & Ensemble Dedalus
25.05 Performance - Music Action Festival / Vandœuvre . Fr

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